Artist- Performer- Storyteller
Hello There!
Let me tell you a little about myself.
Born and raised in Orlando, Florida, I was told from an early age by my mom to always "Do what you love". I found out very quickly that my love was for the arts and entertainment. I started as a nerdy choir kid until I stumbled upon theatre in middle school. I've been fostering my love of performing ever since. Since graduating high school and continuing my studies at Long Island University, I found new passions in physical theatre and stage combat. After graduating with my BFA in Musical Theatre and moving to Harrisburg, Pennsylvania, I am more determined than ever to cultivate all aspects of my artistry and continue to do what I love.
Recent Reviews
"Hood is fierce as Corday, burning with determination to snuff out the voice of the extremist Jacobin leader whose words sent countless people to their deaths."
M. Diane McCormick, The Burg
"(Her) every movement and expression brings the words of the play to life, weaving words and action together and making the audience part of the story."
Andrea Stephenson, BroadwayWorld
Elizabeth as Charlotte Corday in "The Revolutionists" (Gamut Theatre Group, October 2025)
As an Artist
I am a diligent and persistent worker that holds myself to high standards. I believe in telling every character’s story, even those that aren’t the most well-liked. I have been told by my peers that my work is professional and specific. I strive for my actions onstage as a performer and fight director to be intention-driven and truthful to the story being told. Above all, I have a deep respect for my fellow artists as human beings working together for something bigger than all of us.
A core part of my work is focused on telling human stories. Whether the story was written hundreds of years ago or is being devised for the first time, every character has traits that are uniquely and universally human. I enjoy tackling characters that are written as men because the emotions, dreams and flaws of a character don't stop at their gender. In terms of Shakespeare, I like to say that I want to steal the roles from the men that don't deserve to play them
(no offense, my male-identifying Shakespearean colleagues!)
In short, I can sing a song and kick some ass.
